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At times the narrative moves along at a roaring pace, faster than an 8 year old on a sugar high, but mellows down when it needs to, offering some deeply emotional scenes. In fact, along with the stunning visuals, it is the emotion of the story that is the true champion.
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The way Thompson makes us empathise with the characters is a rare skill – we share the deep sorrow, the loving contentedness, the emotional turmoil of the characters. There are plenty of lighthearted moments as well – In one scene, a young Zam is so annoyed with himself and confused after getting his first erection thinking about Dodola that he punches himself in the groin, not realizing the pain he is about to go through.
Habibi is a visual banquet, a veritable feast of brushstrokes and intricate detail. Thompson uses eastern design and the beautiful Arabic script to weave the story together in a soft, organic flow that floats along from panel to panel, page to page in rich, breathtaking beauty. His loose panel layout and masterful panel composition help the story flow forward and keeps each page interesting.
Habibi is a truly magnificent book, one that is compelling, thoughtful, emotional and visually Beautiful. It does contain a fair bit of nudity and sex, so it’s probably not appropriate for children under 15 or so, but aside that, I can’t praise it highly enough. I was totally hooked from the first page – I was just going to read the first 100 pages or so before bed but ended up staying up till the early hours of the morning reading it cover to cover. If Habibi is not the graphic novel of the year, I’ll eat my left testicle.
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