Showing posts with label Dan Hipp. Show all posts
Showing posts with label Dan Hipp. Show all posts

Monday, February 6, 2012

Creator Roundup

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This week, Dan Hipp's a hero, Phil Noto's a kitty, Terry Moore fights for his supper, JH Williams III is mainstream, Joe Hill puts up a door, Sean Phillips shows off, Skottie Young casts a spell, Peter David introduces his daughter to Star Wars, Jeremy Bastian is a freak, Chrissie Zullo draws some women, Jeff Lemire is full on DC, Dustin Nguyen goes beyond the JL, Francesco Francavilla goes to space, Will Wheaton, Felicia Day and Jamie McKelvie collaborate, Ryan Ottley rsides in the DMZ and Dustin Weaver os Astonishing.

Monday, January 16, 2012

Creator Roundup

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This week, Dan Hipp ask's what time is it, Fabio Moon is amazing, Warren Ellis talks about the importance of the comic script, Jim Rugg get's his Street Fighter on, Eric Canate and Sean Phillips show us their processes, Becky Cloonan previews another page of Conan, Dave Johnson likes lobster, Robert Kirkman is a thief, Peter Nguyen likes the cat, Andrew Robinson gets it on like Donky Kong, Hickman talks Ultimates, Ryan Ottley joins the Academy and Phil Noto gets out the claws.





- We kick off with our weekly dose of
Hipp:
OHMYGLOB


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Fabio Moon has few new pieces to show off, including this one:
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Warren Ellis discusses the function of a comic script:
This may seem obvious, but give me a minute. I think it’s often misunderstood.
A script is a set of instructions to the artist(s), letterer, editor, colourist if applicable, and designer if applicable. This set of instructions is intended to present the mechanics of your story with the greatest possible clarity. Adhering to a precise format, as in screenwriting, is not necessary. Presenting a script whose operation is clear to everybody is the requirement.
This set of instructions must surround your story to the extent that you feel necessary and comfortable. Some writers produce reams of panel description because they require fine control of the artist, letterer and colourist to meet their vision of the story. Some writers boil their description down to a telegram because they require only that the most basic requirements of the panel be met in order to achieve their goals.
Both methods, however, and everything in between, are about manipulation of the artist. That sounds grim, doesn’t it?

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Jim Rugg designed a poster for the Street Fighter IV World Championships:
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Eric Canete has begun posting videos of his process, including this one:

'HoN' 01 110112 - 13:33.9 from Eric Canete on Vimeo.



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Becky Cloonan posted yet another Conan preview page:
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Dave Johnson reveals the cover of Lobster Johnson #2:
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Robert Kirkman chatted with EW about Thief of Thieves:
ENTERTAINMENT WEEKLY: So what else can you tell us about Thief of Thieves?


ROBERT KIRKMAN: Well, it’s a fine comic book, if I do say so myself. It’s somewhat of a crime-caper comic about a professional thief named Conrad Paulson. He is one of the greatest thieves who’s ever lived, but he’s gotten to a point in his life where he realizes that he’s chosen his professional life over his family life and greatly regrets that. He’s got an adult son who is kind of following in his footsteps but doing a horrible job, and he has an estranged wife that he is still very much in love with. Our story picks up when he is trying to turn his back on his profession and rekindle his relationship with his wife and trying to fix his son’s horrible predicament.

You’ve said that the way you worked on this was inspired by your experience in the writers’ room of the Walking Dead… I almost said the Grateful Dead then, which might have been even more interesting…

[Laughs] It takes just
three weeks of us not doing interviews every week about the show for you to forget the name!

Yep, sorry. But could you elaborate on what you meant by that?


Absolutely. I’ve been spending a lot of time in writers’ rooms since the very first season of the Walking Dead and I’ve been somewhat enchanted by the process. It’s a very cool thing to have writers working hard to improve a story together as a group. It’s not something that usually happens in comics. So I got the idea to do the series that way, to have an overall story and then get a sort of writers’ room of people together to help map out what’s going on with the characters and tighten the story up here and there. It’s kind of a cool little experiment.

To clarify, this process has involved more people than just yourself and [Thief of Thieves writing collaborator] Nick Spencer?

Yeah, yeah, yeah. There’s a few other people involved, but we haven’t announced their names must yet. But the first six issues are written by Nick, based on my initial series outline and quite a bit of conversations between the two of us. That kicks us off and then we’ll be rotating from arc-to-arc with various writers that are in the group.


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Peter Nguyen posted this Catwoman:
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Andrew Robinson got it on like Donky Kong for his WhatNot post this week:
donkey bong

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Jonathan Hickman spoke with CBR about taking on The Ultimates:
When he accepted the assignment to write "The Ultimates," Hickman knew he would be writing the adventures of some pretty powerful characters, so the writer wanted foes that could test the mettle of these formidable heroes. To that end, he created the Children of Tomorrow, a race of humans who, thanks to high technology, have evolved several centuries in the span of less than a year. The developer of that technology and leader of the Children is the Ultimate Universe's incarnation of Reed Richards, who recently decided that he's going to solve the world's problems regardless of who gets killed or destroyed in the process.
Hickman, who writes the monthly Marvel Universe adventures of Reed Richards in "Fantastic Four" and "FF," welcomed the chance to pen his villainous, teenaged Ultimate Universe counterpart in "The Ultimates." "He kind of exists as the logical extension of, 'What if Reed made completely non-empathic decisions?' So what if they were bad for the rabble? He's a fascinating character," Hickman told CBR News. "Brian Bendis introduced the idea of a villainous Reed in his 'Ultimate Doom' trilogy, and I thought it was perfect. The first thing I said to [Brian] was, 'You're not going to kill him, right?' He told me he wasn't, and the end of 'Ultimate Doom' worked out perfectly because we were able to use it to set up our 'Ultimates' relaunch.
"I think Ultimate Reed is a fantastic character," Hickman continued. "The Children in general are a good Ultimatization of what was a really great Mike Carey idea, The Children of the Vault, introduced in his 'Super Novas' arc of 'X-Men.' I think he, and they, make for a different kind of villain than what we've seen, in that Reed and his followers are essentially, completely, utterly and totally correct. They do not see these as evil decisions. They just happen to be bad for the apes that are left on the planet," Hickman said with a laugh. "They're centuries more advanced than every one else. Just look how far the human race has come in the last 20 years compared to the 60 before, then to the 100 before that. And, in parallel with that, you can see that we're rapidly evolving culturally, as well, even though it doesn't feel like it some days. Reed and the Children represent that to a ridiculous degree, and it's just a whole lot of fun."

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Ryan Ottley painted the White Violin for Sindiecate:
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Phil Noto has heaps of great new stuff this week, including these beauties:
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Sean Phillips shows as his process for Fatale art:
13.1.1213.1.12a14.1.12

Tuesday, November 29, 2011

Creator Roundup

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This week, Dan Hipp goes were the wild things are, Charles Soule gives free advice, Jo Chen paints a giant axe, Peter David stands up for nerd rights, Becky Cloonan and Brian Wood tease Conan, Jim Rugg sells some girl on girl, Peter Nguyen paints a red, conical bra, Alan Moore speaks, which is always good, Dave Johnson Does not Jest, Sara Pichelli listens to Karma Police, Cameron Stewart is not just an artist, and Ben Templesmith defaces classic literature.

Wednesday, November 23, 2011

Creator Roundup

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This week Dan Hipp solemnly swears he’s up to no good, Mark Waid talks about Marcos Martin, Dave Johnson gets the ink out, Charles Soule talks about being helpful, Becky Cloonan goes vampire, Eduardo Risso talks about Brian Azzarello, Chrissie Zullo captures dualism, Christos Gage writes angsty teens and Peter Nguyen graws a seascape.

Wednesday, November 16, 2011

Creator Roundup

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This week Dan Hipp draws Travolta, Nick Spencer talks about his guidance councillor, Jeff Lemire rejoices over a lost dog, Charles Soule discusses process, JH Williams III flogs a bit of art, Jason Aaron shows off his mightily impressive beard, Peter David pens a bill of rights, Jim Rugg does OC Weekly, Dave Johnson draws a rabbit, Frank Miller opens his mouth, Brandon Graham confirms the rumours and Skottie Young draws Wormwood.

Wednesday, November 9, 2011

Creator Roundup

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This week is an art heavy roundup as Dan Hipp channels an immortal trickster, Ben Templesmith hacks and slashes, Kieron Gillen discusses mutant rights, Jonathan Luna does a non comic related painting, Chrissie Zullo draws a beautiful girl, Grant Morrison is a wizard, Bryan lee O’Malley refuses to move on, Eric Canete plays around with a bazooka, D&A raise the dead, Skottie young goes depression era thug and Brandon Graham analyses his current state of mind.

Wednesday, November 2, 2011

Creator Roundup

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This week Dan Hipp does zombie Zelda, Greg Rucka talks Shakespeare, Bryan Lee O’Malley goes freaky friday, Peter David condemns anonymity, The Luna Bros do girl on guy, Brian Azzarello creates a new dialect, Charles Soule gives away a story, Brian Wood goes SNIKT, Fabio Moon presents a cover, Peter Milligan asks the hard questions, Skottie Young didn’t actually post anything this week and Robert Crumb gives an interview that will bring joy to your inner nerd.

Wednesday, October 19, 2011

Creator Roundup

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This week Dan Hipp is on the same bat (adventure) time, Joe Hill passes the blame, Eric Canete channels the power cosmic, Phil Hestor goes bionic, Brian Wood previews barbarity, Georges Jeanty answers a bunch of questions, Bryan Lee O’Malley tells a tale about a fly, Jeff Lemire is not as vain as Grant Morrison, Fabio Moon gives a nod to Chris Claremont and Brandon Graham decides to collaborate. As always, if you want me to follow a specific creator, let me know in the comments.

Wednesday, October 12, 2011

Creator Roundup

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This week Dan Hipp would like to know more, Jeff Smith, Jeff Lemire, Brian Wood and Jamie McKelvie tells us where they’ll be this weekend, Sara Pichelli draws Siryn for charity, Mike Mignola draws Jesus for his greyhound, Warren Ellis discusses all things digital, Jeremy Bastion draws just as good as Rafael Grampa, Dan Clowes had a rough childhood, Joe Hill talks endings and beginnings, Rafael Grampa draws as good as Jeremy Bastion, Michael Alan Nelson is outcast and Alan Moore is good old crazy Alan Moore.

Wednesday, October 5, 2011

Creator Roundup

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This week Dan Hipp channels his inner Willy Wonka, Mike Carey plays video games, Terry Moore shares his trash, Dave Gibbons talks about...erm...Watchmen, Gabriel Ba draws some houses, Kate Beaton puts some cartoons together and calls it a book, Jamie McKelvie offers an Icelandic nymph, Georges Jeanty doesn’t watch Buffy, Jonathan Luna makes Steve rogers a girl, Joe Hill makes a list, Brian Wood makes a sign, Bryan Lee O’Malley makes a Mario level and Chrissie Zullo makes pretty pictures.