Bodenheim’s art reminds me of Nick Pittara and the coloring scheme/lighting layout of differing panels concurrent to each other is something I haven’t seen in a long time. It’s innovative and derivative of Hickman’s guile. The creative duo here matches perfectly and Hickman always manages to use artists to impress better upon his already exquisite-craft. It’s a thrill of a ride. Such enthralling duplicity set in the real world makes me wonder if I rather this book to Manhattan Projects…and I can’t decide. Both are yet to be deciphered but both are sublime.
